• A launch film for the court season, shot from under the rim at first light. Forty seconds, one take, no cuts.

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  • The new boot, set into a spiral mown by hand the night before. We shot it top-down so the pattern did the talking.

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  • A portrait system for the athlete roster: one light, one colour field per sport, and no faces until the season opens.

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  • A single frame at the buzzer, printed across twelve cities. The shadow carried the whole line.

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  • A print issue on the clay season, built from surface studies of red courts after rain.

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  • Match ball close-ups filmed at pitch level, with the chalk line as the only graphic on screen.

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